Athens, Acropolis, Ancient Monuments & Athens Views
Acropolis Photo Gallery
The Parthenon, Athens, Greece
Hadrian's Arch, Athens, Greece
Temple of Olympian Zeus, Athens
Ancient Masonry Wall Along Pine-Shaded Path, Athens
Two thousand years of history standing beside the rhythm of modern Athens. Hadrian's Arch remains a timeless gateway between the ancient and contemporary Athens.
Temple of Olympian Zeus and Athens Athensscape, Greece
Ancient Masonry Wall Along Pine-Shaded Path, Athens
Theatre of Dionysus, Acropolis, Athens, Greece
Odeon of Herodes Atticus
Odeon of Herodes Atticus
Theatre of Dionysus
Odeon Ruins Overlooking Athens from the Acropolis
Theatre of Dionysus
Theatre of Dionysus — the world's first theatre and the birthplace of Western drama, carved into the south slope of the Acropolis as part of the sanctuary of Dionysus Eleuthereus
The Erechtheion on the Acropolis, Athens
The Porch of the Caryatids, Erechtheion, Acropolis, Athens
Parthenon Colonnade on the Acropolis, Athens
The Parthenon, Athens, Greece
Acropolis, Athens: A Tour of the Erechtheion
Acropolis Vista: Tourists and Athens Panorama
Byzantine Church in Athens with Urban Panorama
Piraeus Photo Gallery
Gallery of Piraeus
Ferries Docked in a Bustling Greek Port City
Ferries Docked in Piraeus Port with City Skyline
Ferries at Piraeus Port, Athens
Busy Port with Ferries and Tanker
Ferries Docked in a Greek Harbour
Blue Star Ferries in Port
Port of Piraeus Industrial Scene with "Hellas Liberty" Ship and Clock Tower
Status: Capital and largest city of Greece; southernmost capital on the European mainland, in the Attica region
Population: Municipality 643,452 (2021); metropolitan area 3,744,059 across 2,928 km² of the Attica peninsula
Etymology: Named after Athena, goddess of wisdom, the city's patron deity
Age: Continuously inhabited for over 3,400 years — evidence of habitation stretches back to between the 11th and 7th millennia BC
Language and currency: Greek; the euro
Setting: Built around hills of the Attica basin and surrounded by four mountains — Pentelicus, Aigaleo, Hymettus and Parnitha
Birthplace of democracy: Around 500 BC Athens instituted a system in which eligible citizens could directly vote on laws — democracy from the Greek demos (people) and kratos (power); Solon's reforms of 594 BCE laid the foundation
Mycenaean fortress: By 1400 BC Athens was an important Mycenaean centre, with the Acropolis as a fortress whose Cyclopean walls remain recognisable
Golden age: After the Persians razed the city in 480 BCE, the statesman Pericles led a rebuilding programme from 447 BCE that produced the Parthenon, Propylaea, Erechtheion and Temple of Athena Nike — all within roughly fifty years, under architects Ictinus and Callicrates and the sculptor Phidias
Ottoman era: The Parthenon served as a church, then a mosque with a minaret, and was badly damaged in 1687 when the Ottomans' powder magazine inside it exploded under Venetian bombardment
Modern capital: After the Greek War of Independence, Athens replaced Nafplio as capital in 1834 — then a small town of about 4,000 people clustered at the foot of the Acropolis; King Otto commissioned its neoclassical city plan
Olympic revival: Athens hosted the first modern Olympic Games in 1896, and was the first-ever European Capital of Culture
Architectural Highlights
The Acropolis — UNESCO World Heritage Site since 1987; an ancient citadel on a 156 m rocky outcrop, inhabited since the Neolithic period, whose 5th-century BCE marble monuments were originally painted in reds, blues and greens
The Parthenon — temple of Athena Parthenos (447–432 BCE), the pinnacle of the Doric order, once housing Phidias's 9–12 m gold-and-ivory statue of Athena
Erechtheion and Temple of Athena Nike — the Ionic temple famed for its Caryatid porch, and the small temple of victory on the bastion
The Propylaea — the monumental gateway to the sacred precinct
Tower of the Winds — a 2,000-year-old octagonal marble structure, the world's oldest weather station, on the slopes below
Modern Role
Athens is Greece's economic, political and cultural centre — a major Mediterranean coastal urban area that welcomes around 18 million visitors a year, some six times its population, drawn by the Acropolis, its museums, theatrical tradition (it has more theatres than any other city) and its food scene.
How To Get There
Flying to Athens
Airport to Acropolis
Athens to Piraeus
Acropolis of Athens
Key Facts
Location: A rocky hill of average height (156 m) rising in the Athens basin, roughly 170 × 350 m in extent, with a nearly flat summit; the rock drops steeply on all sides except the west
Etymology: From the Greek akron "highest point" and polis "city"; in antiquity the site was also called Cecropia, after the legendary serpent-man king Cecrops
Area: Approximately 30,000 m² of plateau and surrounding slopes
Material: Mostly pale Pentelic marble, quarried 16 km north-east of the city
Peak construction: The Periclean building programme, 447–406 BCE
UNESCO: Inscribed as a cultural World Heritage Site in 1987
Visitors: Greece's most visited archaeological site, capped at 20,000 visitors per day since 2023
Prehistoric origins: Inhabited as early as the 4th millennium BC; the first fortification wall was built in the 13th century BCE around the Mycenaean ruler's residence, and fortifications have surrounded the summit for more than 3,300 years
Sanctuary of Athena: From the 8th century BCE the citadel gradually acquired its religious character with the cult of Athena, the city's patron goddess, peaking in the Archaic period
Persian destruction: Xerxes' forces razed Athens in 480 BCE, burning an unfinished earlier Parthenon
Pericles' programme: Empowered by victory over the Persians, the Athenians rebuilt — under the inspired guidance of the sculptor Pheidias, transforming the rocky hill into, in UNESCO's words, "a unique monument of thought and the arts", a symbol of Athenian democracy
Changing faiths: The Parthenon became a Byzantine church of the Virgin Mary, a Frankish Catholic cathedral, and after the Ottoman conquest of 1458 a mosque with a minaret; the Acropolis served as a garrison and fortress
The 1687 catastrophe: During the Morean War, Venetian bombardment under Francesco Morosini ignited the gunpowder stored by the Turkish rulers inside the Parthenon, shattering the temple
Modern era: Operating as an archaeological site since 1833, shortly after the modern Greek state was established; systematic restoration and anastylosis continue today
Architectural Highlights
The Parthenon (447–432 BCE) — temple of Athena Parthenos by Ictinus and Callicrates with Pheidias; the pinnacle of the Doric order, with subtly curved platform, entablature and inward-leaning columns; once housed Pheidias's chryselephantine (gold-and-ivory) statue of Athena, 9–12 m tall
The Propylaea (437–432 BCE) — the monumental gateway by Mnesicles, combining Doric façades with Ionic interior columns and five passagements; left unfinished at the outbreak of the Peloponnesian War in 431 BCE
The Erechtheion (421–406 BCE) — unusual multi-part Ionic temple housing several older cults, including the ancient wooden statue of Athena; famed for its Porch of the Caryatids, six sculpted female figures serving as columns
Temple of Athena Nike (427–424 BCE) — small Ionic temple on the south-west bastion, celebrating victory
South slope — the Theatre of Dionysus, birthplace of Greek drama where Sophocles, Euripides and Aristophanes premiered their plays, and the Odeon of Herodes Atticus; plus the Asklepieion sanctuary of the healing god
Parthenon
Key Facts
Type: Ancient Greek temple in the Doric order (with Ionic elements)
Location: Centre of the Acropolis summit, Athens, Greece
Built: 447–438 BC, with sculptural decoration completed by 432 BC ([Britannica](https://www.britannica.com/place/acropolis-of-Athens))
Architects: Ictinus and Callicrates, under the general supervision of the sculptor Phidias, who also had charge of the sculptural decoration (Wikipedia), [Acropolis Tickets
Commissioned by: Pericles, as the centrepiece of the post-Persian rebuilding programme, financed partly with Delian League funds — it served as both temple and treasury (Britannica, [World History Encyclopedia)
Dedicated to: Athena Parthenos ("Athena the Virgin"), whose colossal gold-and-ivory statue by Phidias stood in the cella — using more than 1,100 kg of gold and costing the equivalent of a fleet of 230 ships ([History.com]), [Visit Greece)
Dimensions: About 70 × 31 metres at the base, 13.7 metres to the roof, on a three-step stylobate with 46 outer Doric columns (Athens Tourism), [Acropolis Tickets](https://www.acropolis-tickets.com/acropolis-parthenon-greece/))
Material: Gleaming Pentelic marble from Mount Penteli (Visit Greece)
Status: UNESCO World Heritage Site (with the Acropolis); the most visited archaeological site in the world's most famous ancient citadel
Historical Significance
After Xerxes' Persians razed Athens in 480 BC and destroyed the unfinished "Older Parthenon", Pericles waited thirty-three years before commencing the new temple in 447 BC, at the height of Athens' Golden Age — a building Plutarch's contemporaries saw as proof that "we shall be the marvel of the present day and of ages yet to come." Substantially complete by 432 BC, the Parthenon housed Phidias' Athena Parthenos and the city's treasury, and its sculpture programme celebrated order over chaos: the gods versus giants, Greeks versus Trojans and Amazons on the metopes, and the Panathenaic procession on the frieze — unusually, real Athenians rather than mythological figures. In the 6th century AD it became a Christian church (of the Virgin Mary), then after the Ottoman conquest a mosque. The catastrophe came in 1687, when Venetian bombardment ignited the gunpowder stored inside, destroying the roof, interior walls and many columns. Between 1801 and 1812 Lord Elgin removed roughly half the surviving sculptures — the Elgin or Parthenon Marbles — sold to the British Museum in 1816. Greece has officially requested their return since 1983, and in 2021 UNESCO called on the UK to resolve the issue at intergovernmental level; the 2009 Acropolis Museum was purpose-built with a Parthenon Gallery holding reserved gaps for the London pieces. Restoration, the most ambitious archaeological project in Greece, has been under way since 1975 (History.com), Acropolis Tickets Guide, [Tickets Acropolis], World History Encyclopedia].
Architectural Highlights
The largest and most lavish Doric temple the Greek mainland had ever seen — widely considered the pinnacle of the Doric order.
92 carved metopes above the outer colonnade: the Gigantomachy, Centauromachy, Amazonomachy and Trojan War, symbolising Athens' triumph over barbarism
A continuous 160-metre Ionic frieze around the cella depicting the Panathenaic procession — Athens' greatest civic-religious festival, held every four years, when a new woven peplos was presented to Athena
Pediments showing the birth of Athena (east) and her contest with Poseidon for patronage of Athens.
Refinements of the High Classical style — proportions close to the golden ratio, entasis, and scarcely a straight line in the building [Athens Tourist Information
Temple of Olympian Zeus
The Temple of Olympian Zeus (Olympieion) is one of the most important
ancient monuments in Athens, Greece. Dedicated to Zeus, king of the
Olympian gods, it was among the largest temples of the ancient world.
Construction of the temple began around 520 BC under the Athenian tyrants
Peisistratos and his sons. Work stopped after their overthrow and remained
unfinished for centuries. Building resumed during the Hellenistic period
under Antiochus IV Epiphanes but was again abandoned. The temple was finally
completed in AD 131 by the Roman Emperor Hadrian, who celebrated it as a
symbol of Athens' cultural importance within the Roman Empire.
Odeon of Herodes Atticus
Key Facts
Type: Roman odeon (roofed theatre of antiquity), now open-air concert and performance venue
Location: Southwest slope of the Acropolis, Dionysiou Areopagitou Street, Athens, Greece
Built: AD 161 (some sources give 160–174 AD), by the Athenian orator, senator and benefactor Herodes Atticus ([Athens Epidaurus Festival](https://aefestival.gr/venues/odeon-of-herodes-atticus/?lang=en), [Why Athens](https://whyathens.com/odeon-of-herodes-atticus/))
Dedicated to: Aspasia Annia Regilla, his Roman wife, who died in AD 160 — a noblewoman of the Annia gens, priestess of Demeter, and mother of six ([Greece Is](https://www.greece-is.com/secret-life-odeon-herodes-atticus/))
Capacity: About 4,800–5,000 spectators — the largest odeon of its time ([Athens Epidaurus Festival](https://aefestival.gr/venues/odeon-of-herodes-atticus/?lang=en), [Wikipedia](https://en.wikipedia.org/wiki/Odeon_of_Herodes_Atticus))
Destroyed: AD 267 (268 by some accounts), during the Heruli invasion, barely a century after completion ([Acropolis Tickets](https://www.acropolis-tickets.com/odeon-of-herodes-atticus/), [Athens Epidaurus Festival](https://aefestival.gr/venues/odeon-of-herodes-atticus/?lang=en))
Restored: 1950–1955, with the stands and orchestra rebuilt in Pentelic marble; reopened for the first Athens Festival in 1955 ([History Hit](https://www.historyhit.com/locations/theatre-of-herodes-atticus/), [TourMe](https://www.tourme.app/gr/blog/odeon-of-herodes-atticus-athens-guide))
Distinction: The third odeon built in ancient Athens, distinctively Roman in contrast to the nearby Theatre of Dionysus ([History Hit](https://www.historyhit.com/locations/theatre-of-herodes-atticus/), [Why Athens](https://whyathens.com/odeon-of-herodes-atticus/))
Historical Significance
Built into the rock of the Acropolis's south slope when Athens was part of the Roman Empire yet still revered as its cultural capital, the Odeon was a public declaration as much as a building — a gift to the city and a memorial to Regilla, bridging Greek and Roman civilisation. When Pausanias visited under Marcus Aurelius he described it as the finest building of its type. The Heruli fire of AD 267 reduced it to a ruin that was then quarried for stone, used as a dwelling and a fort, incorporated into the Acropolis wall in 1667, and by 1857 lay buried under 12 metres of soil with crops cultivated over the auditorium. Performances revived under the German occupation of 1941–1944, prompting the restoration of 1950 and the grand reopening of 1955 as the flagship stage of the Athens and Epidaurus Festival. In 1826, during the siege of the Acropolis, the Philhellene General Favieros and his soldiers famously entered through the Odeon to bring provisions and gunpowder to the defending Greeks ([Athens Key](https://www.athenskey.com/herodeon.html), [Fys Athens](http://fysathens.weebly.com/odeon-of-herodes-atticus.html)).
Architectural Highlights
A semi-circular cavea (slightly beyond a semicircle) of 32–33 marble rows, about 76–80 metres in diameter, divided by a 1.2-metre diazoma walkway
A three-storey stone stage building (skene) about 28 metres high, its façade inlaid with coloured marbles, with pilasters and alcoves housing statues of the imperial family and Herodes Atticus's own family
Originally roofed with expensive cedar of Lebanon timber — an extravagance noted by ancient sources ([Wikipedia](https://en.wikipedia.org/wiki/Odeon_of_Herodes_Atticus), [Greeka](https://www.greeka.com/attica/athens/sightseeing/athens-herodion-theatre/))
A semi-circular orchestra about 19 metres wide, paved in marble (black and white in antiquity, Pentelic after the 1950s restoration)
Its entrance designed by Dimitris Pikionis (1954–1957) with broad monumental marble steps from Dionysiou Areopagitou Street, part of the celebrated Acropolis landscaping ([Athens Epidaurus Festival]
Key Features and Attractions
The koilon carved into the very rock of the Acropolis, in Pentelic marble from the same quarries as the Parthenon
Legendary performances: Maria Callas (1957), Frank Sinatra (1962), the Miss Universe pageant (1973), Nana Mouskouri (1984), Pavarotti (1991, 2004), Vangelis' Mythodea and Yanni's Live at the Acropolis (1993), Sting (1996, 2018), Elton John (2000), Bocelli (2010) and Coldplay's music video shoot (2024)
The annual Athens Epidaurus Festival season, May through October, of music, theatre and dance
Superb daytime views of the theatre from the Acropolis above and from the pedestrianised Dionysiou Areopagitou Street below ([Why Athens](https://whyathens.com/odeon-of-herodes-atticus/))
Modern Role
Managed under the Ephorate of Antiquities and the Athens Epidaurus Festival, the Odeon is one of the world's oldest functioning theatres and the summer home of Greece's biggest arts festival. Note that after a special farewell programme in June 2026, the venue is entering an extended restoration period expected to last at least three years, so no normal concert schedule should be expected in the immediate future ([Athens Tourist Information](https://athens-tourist-information.com/odeon-of-herodes-atticus), [Wikipedia](https://en.wikipedia.org/wiki/Odeon_of_Herodes_Atticus)).
Visitor Experience
Entry to the Odeon is only with a ticket to a performance — the exterior can be admired at any time from street level and from above during an Acropolis visit. Performance-goers climb the same stone stairs Athenians used nearly 2,000 years ago. The marble seats are hard, narrow and cold, so bring a cushion (cushions can sometimes be hired); flat-soled shoes are required — narrow heels are banned to protect the marble, and no food or drink is allowed inside. Dress is casual, and booking a late dinner table for around 11 pm, as Athenians do, rounds off a festival night
.
Theatre of Dionysus
Key Facts
Type: Ancient Greek theatre, the prototype of Greek theatres and the first stone theatre in the world
Location: South slope of the Acropolis, directly below the Parthenon, Athens, Greece
Origins: First orchestra terrace built in the mid-to-late 6th century BC as part of the sanctuary of Dionysus Eleuthereus ("Dionysus the Liberator"); dramatic productions moved here from the Agora by around 499/496 BC
Golden Age: 5th century BC — the stage of the City Dionysia festival, where the tragedies of Aeschylus, Sophocles and Euripides and the comedies of Aristophanes premiered in competition )
Rebuilt in stone: Mid-4th century BC under the epistates Lycurgus, when it reached its fullest extent with a capacity of up to 25,000
Roman phase: Renovations from the 1st century AD under Nero (who added seating and marble statues of Silenos) and later Hadrian )
Rediscovery and excavation: Ruins identified in 1765 by Richard Chandler; excavations began in 1838/1841 with Pittakis and continued from 1862 under Roussopoulos and Strack
Famous premieres: Aeschylus' Oresteia (458 BC), Sophocles' Oedipus Rex (c. 429 BC) and Euripides' Medea (431 BC)
Historical Significance
The Theatre of Dionysus is where Western drama was born. Within the sanctuary of Dionysus Eleuthereus, an earth orchestra and wooden benches (ikria) evolved into the grand stone theatre of Lycurgus, staging the annual spring City Dionysia — days of tragedies, satyr plays and comedies in competition, in which Thespis, traditionally the first actor (hence "thespian"), first stepped from the chorus. Aeschylus added the second actor, Sophocles the third; a statue of Dionysus himself watched from the front row, and a state "theatrical fund" (theorikon) paid the ticket price of 2 obols for poorer citizens. Every play, film and television drama is in some sense descended from what happened in this hollow on the Acropolis slope. After centuries of continuous use into the Roman period, the theatre decayed in the Byzantine era, lay buried and forgotten by the Middle Ages, and was progressively excavated and restored from the nineteenth century onwards .
Architectural Highlights
A semicircular orchestra, originally flattened earth with a central altar (thymele) to Dionysus, later paved ([Wikipedia](https://en.wikipedia.org/wiki/Theatre_of_Dionysus), [Diazoma](https://diazoma.gr/en/theaters/theatre-of-dionysos/))
A koilon of tiered seating cut into the natural slope — originally wooden benches, rebuilt in stone on a radial design in the 4th century BC
A front row (proedria) of marble thrones for priests and honoured citizens; the central Pentelic marble throne of the High Priest of Dionysus Eleuthereus, carved with grapes, satyrs and lion paws
A skene (stage building) rebuilt over the centuries, decorated with relief slabs of scenes from the life of Dionysus ([Diazoma](https://diazoma.gr/en/theaters/theatre-of-dionysos/))
The nearby Older Temple of Dionysus housing the god's xoanon (cult statue), and the sanctuary itself directly south of the theatre ([Wikipedia](https://en.wikipedia.org/wiki/Theatre_of_Dionysus))
Key Features and Attractions
The oldest theatre in the world — the visible remains layer the original wooden structure, the Lycurgan stone phase and the Roman renovations
The marble thrones of the proedria, the priestly seats that defined the theatre's sacred character
Sculptures from the Hadrianic refurbishment of the skene, displayed under a canopy at the site entrance
The Odeon of Herodes Atticus a short walk west along the south slope, the Theatre's Roman-era successor as the city's performance stage ([Tickets Acropolis]
Views up to the Parthenon and down over the sanctuary of Dionysus
Modern Role
Managed by the Ephorate of Antiquities of Athens, the Theatre of Dionysus is one of the most-visited monuments of the Acropolis archaeological complex, a place of pilgrimage for anyone interested in the origins of drama, with restoration and study of the site still continuing today ([Her Life in Ruins](https://herlifeinruins.com/theatre-of-dionysus-eleuthereus/)).
Visitor Experience
Entry is included in all standard Acropolis tickets, accessed via the South Slope Entrance on the pedestrianised Dionysiou Areopagitou Street, a short stroll from Plaka. The theatre is best visited before the climb to the summit, ideally early morning or late afternoon when the light softens the limestone tiers. Informational signage explains the phases of the theatre; comfortable shoes are recommended, and the neighbouring Acropolis Museum displays artefacts from the sanctuary. Allow around 30–45 minutes at the theatre itself, longer combined with the full south-slope circuit ([Tickets Acropolis](https://tickets-acropolis.org/what-to-see/theatre-of-dionysus-south-slope/), [Headout](https://www.headout.com/blog/theatre-of-dionysus/), [My Greece Tours](https://mygreecetours.org/theatre-of-dionysus/)).
Hadrian's Arch
Hadrian's Arch is a monumental Roman triumphal gateway in Athens, Greece.
Built in AD 131–132, it was erected to honour the Roman Emperor Hadrian and
marked the symbolic boundary between the ancient city of Athens and the
new Roman quarter developed under his patronage.
The arch was constructed during the reign of Emperor Hadrian, one of the
greatest benefactors of Athens. It stood beside the route leading to the
Temple of Olympian Zeus and celebrated Hadrian's extensive building
programme in the city. Inscriptions on either side of the arch distinguished
the old city associated with Theseus from the new city associated with
Hadrian, symbolising the union of Greek heritage and Roman power.
Port of Piraeus
The port of Piraeus, Greece — the country’s largest seaport and the busiest passenger port in Europe, serving as the main gateway between mainland Greece, the Aegean islands, Crete, and the wider Mediterranean.
Key facts
Type
Seaport — ferry, cruise, container and cargo gateway
Location
Piraeus, Attica, Greece — about 10–12 km southwest of central Athens
Status
Operational, 24 hours a day, year-round
Annual passengers
Approximately 20 million, the largest passenger port in Europe
Cruise traffic
Around 1.7 million cruise passengers across roughly 810 ship calls in 2024, with more than 600 homeport calls
Container throughput
Several million TEUs per year, one of the Eastern Mediterranean’s principal transshipment hubs
Connections
Ferry links to the Cyclades, Crete, the Saronic Gulf islands, the Dodecanese and Northeastern Aegean, plus international routes
Historical significance
Piraeus has served as the port of Athens since antiquity: its fortified harbours were developed in the 5th century BC under Themistocles,
making classical Athens a dominant maritime power. Rebuilt and expanded repeatedly over the centuries, the modern port became Greece’s
principal commercial and passenger gateway in the 19th and 20th centuries and remains the historical heart of Greek seafaring.
Facilities
The port complex includes dedicated passenger ferry gates (serving routes to Crete, the Cyclades and beyond), three cruise terminals
able to berth large vessels simultaneously, container terminals operated by PCT with deep-draft berths for ultra-large ships,
general cargo and car-handling piers, and an adjacent ship-repair zone. The port is directly connected to central Athens
by metro (Piraeus station) and the suburban railway, with a metro station located at the main passenger gate.