The Cathedral Church of Saint Michael, commonly known as Coventry Cathedral, is the seat of the Bishop of Coventry and the Diocese of Coventry within the Church of England. The cathedral is located in Coventry, West Midlands, England. The current acting bishop is Ruth Worsley and the current dean is John Witcombe.

The city has had three cathedrals. The first was St Mary's, a monastic building, from 1102 to 1539, of which only a few ruins remain. The second was St Michael's, a 14th-century Gothic church designated as a cathedral in 1918, which remains a ruined shell after its bombing during the Second World War, apart from its tower and spire, which rise to 284 feet (87 metres). The third, consecrated in 1962, is the new St Michael's Cathedral, built immediately adjacent to the ruins and tower of the former cathedral, which is a symbol of war time destruction and barbarity, but also of peace and reconciliation.

The current St Michael's Cathedral, built next to the remains of the old one, was designed by Basil Spence and Arup, was built by John Laing[9] and is a Grade I listed building.

The foundation stone of the new cathedral was laid by Elizabeth II on 23 March 1956. The unconventional spire or flèche is 80 feet (24 m) tall and was lowered onto the flat roof by a helicopter, flown by Wing Commander John Dowling in April 1962

Coventry's new cathedral adopted a modernist design. The interior is notable for its huge tapestry (once thought to be the world's largest) of Christ, designed by Graham Sutherland, the emotive sculpture of the Mater Dolorosa by John Bridgeman in the East end, and the Baptistry window designed by John Piper (made by Patrick Reyntiens) of abstract design that occupies the full height of the bowed baptistery, which comprises 195 panes, ranging from white to deep colours. The stained glass windows in the Nave, by Lawrence Lee, Keith New and Geoffrey Clarke, face away from the congregation. Spence's concept for these Nave windows was that the opposite pairs would represent a pattern of growth from birth to old age, culminating in heavenly glory nearest the altar—one side representing Human, the other side, the Divine. Also worthy of note is the Great West Window known as the Screen of Saints and Angels, engraved directly onto the screen in expressionist style by John Hutton. A pane of the Hutton window, depicting The Angel with the Eternal Gospel, was smashed during a burglary in January 2020.[18][19] (Although referred to as the West Window, this is the 'liturgical west' opposite the altar which is traditionally at the east end. In this cathedral the altar is actually at the north end.) The foundation stone, the ten stone panels inset into the walls of the cathedral called the Tablets of the Word, and the baptismal font were designed and carved by the émigré German letter carver Ralph Beyer. The lectern has a bookrest in the form of an eagle, by the sculptor Elisabeth Frink, who also designed the canopy for the Bishop's throne.